Israeli Eurovision contestant Netta Barzilai. (Yossi Zamir/Flash90) (Yossi Zamir/Flash90)
Netta Barzilai.


Israeli Eurovision hero Netta Barzilai released a fresh single on newfound fame, explaining to the press that the song contest that catapulted her to fame has the power to unite.

By: Associated Press

“I’m not a political person,” said Israeli pop star Netta Barzilai, winner of last year’s Eurovision song contest. “Eurovision isn’t the place for politics. It’s a place for coming together and spreading light.”

When asked to offer up an opinion, Barzilai said she thinks “boycotting isn’t an answer,” but that “protest” and “healthy dialogue” may have a place.

Barzilai, 26, released a new single Friday which she says reflects the highs and lows in the year since her shock victory shook up her life.

She spoke to The Associated Press ahead of the release of her new song “Bassa Sababa.” She says the song, Hebrew/Arabic slang for “Bummer, that’s cool,” speaks to the thrills and challenges of her past year.

Barzilai’s signature chicken dance and catchy pop anthem inspired by the #MeToo movement, “Toy,” catapulted her to Eurovision fame last year, transforming her into a national celebrity. The official YouTube video has racked up over 100 million views in the last year.

Since the win, she has found her role both terrifying and empowering.

“This past year I’ve experienced so many obstacles,” she said. “I used to sink under my problems, but not anymore.”
In her typically exuberant fashion, she sported giant heels, glittery eyeshadow and an electric blue jacket, purchased abroad because she said Israeli chain clothing stores don’t carry her size.

“Was I intimidated by the expectations after the smash hit? Sure, I’m a human,” Barzilai said this week at her publicist’s apartment in central Tel Aviv. “Of course I was afraid.”

Her new music video, filmed in the Ukrainian capital Kiev, features a defiant pink rhino charging at a man who has abandoned her at the altar. She says the song presents a more “raw, real” version of female empowerment than last year’s upbeat anthem.

Personal and Political Pressure

Barzilai says that since her Eurovision victory, she’s faced overwhelming pressure, both personal and political. “With all this love obviously comes a lot of hate,” she said, especially from those who see her as nothing more than a “one hit wonder, a hit-maker,” with ridiculous dance moves and outrageous clothes.

But she says she’s trying to become the feminist role model her fans expect, adding that her win not only changed the course of her career, but altered the way she sees herself.

“After this experience, the people made me into some kind of idol for empowerment, self-acceptance and love,” she said. “But what they don’t know is that’s actually what empowered me.”

She seemed to play the part of idol well, imparting inspirational quotes about body positivity and recalling how she rejected an advertising campaign for a well-known brand when she discovered they didn’t sell plus size clothing.

“When a girl like me, my size, maybe even more, she sees me on the billboard sign and can’t even find clothes in her size, that’s tragic,” she said. “It’s OK to be different. It’s crucial to celebrate yourself as a human being.”

Meanwhile, supporters of the anti-Israel BDS movement, who advocate boycott, divestment and sanctions against the Jewish state, have been ratcheting up their calls for artists to pull out of this year’s Eurovision competition to be held in Israel.

Earlier this week, the BBC said it would not succumb to calls to relocate 2019’s Eurovision contest to appease anti-Israel activists.

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