Reconstruction (2020) of Anne Frank's room, her writing desk where she wrote her famous diary. (Anne Frank The Exhibition) (Anne Frank The Exhibition)
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The immersive exhibit also marks the first time that the annex has been completely recreated outside of Amsterdam, and the first time that dozens of artifacts will be seen in the United States — many of which have never been displayed publicly.

By Shiryn Ghermezian, The Algemeiner

The first full-scale recreation of the secret annex where Anne Frank hid for two years from Nazis occupying The Netherlands during World War II opened for its world premiere in New York City a week ago to such success that tickets are sold out for two months, organizers told The Algemeiner on Monday.

“We’ve been sold out every day and we are now sold out through March, which is wonderful,” said Michael Glickman, who is the New York representative for the Anne Frank House and the former director of the Center for Jewish History in Manhattan.

“The response has been overwhelmingly positive [from] both adults, students, and everyone in between.” He added that the exhibit has already had more than 10,000 visitors in just its first week.

“Anne Frank The Exhibition” is being hosted at the Center for Jewish History, which houses the world’s largest Jewish archive outside of Israel, and is a collaboration with the Anne Frank House museum in Amsterdam.

It opened on International Holocaust Remembrance Day last Monday and is scheduled to close on April 30.

The first of its kind, the recreation of the annex is meant to be a limited release exhibit that will travel to other cities in the country, Glickman said.

The immersive exhibit also marks the first time that the annex has been completely recreated outside of Amsterdam, and the first time that dozens of artifacts will be seen in the United States — many of which have never been displayed publicly.

Thirteen-year-old Frank, her parents, older sister, and four other Jews hid in the annex to evade Nazi capture in Amsterdam starting in 1942 until they were discovered and arrested in 1944.

The annex is also where Frank penned her famous Holocaust diary while hiding in rooms located in the back house of her father’s company in Amsterdam.

When Frank and the others were arrested in 1944, she was first transported to the Auschwitz-Birkenau concentration camp, and then with her sister they were sent to the Bergen-Belsen concentration camp in Germany, where they both died of typhus in February 1945. Frank was 15 and her sister was 18 or 19.

The Anne Frank House assembled a team of fabricators, designers, and builders to reconstruct in New York City the five rooms where Frank, her family, and others lived in hiding during the Holocaust.

The rooms are filled with furniture and personal possessions, including Frank’s first photo album from 1929-1942; her typed and handwritten invitation to her friend for a film screening in her home; and poetry handwritten by Frank in her friends’ poetry albums.

Also on display is the Oscar won by Shelley Winters for the 1959 film “The Diary of Anne Frank.”

The exhibit spans more than 7,500 square feet and features over 100 original artifacts from the Anne Frank House in Amsterdam. A large chunk of the reconstructed annex was made in The Netherlands and shipped over to New York City on freight liners, according to Glickman.

“This exhibit came together in record time,” he added. “I’ve been doing these sort of things for a very long time in my career [and] I’ve never seen anything happen as fast. From start to finish, this was a 10-month process.”

Frank’s father, Otto Frank, has a personal connection to New York. He worked in New York City from 1909-1911, before he met and married his wife, Edith.

Otto’s roommate at the University of Heidelberg in Germany, Nathan Straus, Jr., invited him to come to New York and work at his family’s department store, Macy’s.

Otto worked for about six months as an intern at Macy’s and afterwards worked as an intern at a bank until he left New York in the spring of 1911. The former university roommates maintained contact after Otto returned to Europe.

Years later, Nathan tried to help Otto and his family secure visas to the United States to escape Nazi-occupied Europe, but was unsuccessful. Otto was the only member of his family to survive the Holocaust.

After World War II, when he returned to Amsterdam, his former assistant, Miep Gies, gave him Anne’s diary. She had retrieved it from the annex after the Frank family was arrested, hoping to give it to Anne one day.

Otto published his daughter’s diary — Anne Frank: The Diary of a Young Girl — first in Dutch, German, and French, and it has since become one of the most translated books in the world. Otto died in 1980 at the age of 91.

The Anne Frank House, an independent nonprofit organization, was established in 1957, in cooperation with Otto. For nearly seven decades, it has preserved the annex where the Frank family hid during World War II.

“Anne’s legacy is remarkable, as represented in the diary she left us, and as one of the 1.5 million Jewish children who were murdered at the hands of Nazi officials and their collaborators,” Ronald Leopold, executive director of the Anne Frank House, said in a released statement.

“Through this exhibition, the Anne Frank House offers insights into how this could have happened and what it means for us today. The exhibition provides perspectives, geared toward younger generations, that are certain to deepen our collective understanding of Anne Frank and hopefully provide a better understanding of ourselves.”

“By bringing this exhibition to New York — a place with many ties to Anne’s story— the Anne Frank House is expanding the reach of our work to encourage more people to remember Anne Frank, reflect on her life story, and respond by standing against antisemitism and hatred in their own communities,” he added.

“In a time of rising antisemitism, her diary serves as both a warning and a call to action, reminding us of the devastating impact of hatred,” said Dr. Gavriel Rosenfeld, president of the Center for Jewish History. “This exhibition challenges us to confront these dangers head-on and honor the memory of those lost in the Holocaust.”

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